Apr
2
to Apr 6

"Taking Dictation" Included in 2025 SUPERMARKET Art Fair

  • SUPERMARKET 2025 – Stockholm Independent Art Fair (map)
  • Google Calendar ICS

I’ll be presenting a new participatory, walking-based piece called “Taking Dictation” at the 2025 SUPERMARKET Art Fair, in a program curated by John Schuerman and Berg Duo, called WALKING WITH PASSION, along with two other artists form Walking As Practice Collective, Juanma González and Aurike Quintellier.

Walking As Practice Collective is a group of artists dedicated to traversing spaces, rethinking and critiquing systematic constraints. In motion, they challenge norms and propose the distribution of agency, deploying vulnerability as a strategy for togetherness.

Do you have a passion for rule-following? A deep-seated desire to please authority figures? If so, you’ll love Taking Dictation, a grownup, walking version of the kind of children’s games called “Simon Says” or “Follow the Leader” in the USA (and “Gör si, gör så” or “Följa John” in Sweden.) But this version has so much more complexity that it might be unrecognizable. Which means that if you hate rule-following and pleasing authority, but are gaga for entropy, then you’ll also love Taking Dictation. The title is a play on words around the practice of transcribing speech, which is a practice that is meant to be faithful to exactly what is spoken, but often has unintended variability. In this case there is an effort to see how far variability can go, to the degree that the “taking” of dictation becomes potentially a taking away of dictatorial power. Led by Heather (Hey There) Kapplow (USA), we will move together in a state that vacillates rapidly between obedience and disobedience, fairness and unfairness, freedom and restriction, order and chaos. The combination of movement, prompts, and sound will build simultaneous, contradictory routes through time and space as an experimental method for discovering previously unseen paths of resistance to the imposition of the ideas of others upon ourselves.

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Mar
29
5:30 PM17:30

"Validated" at States of Emergence March 29, 2025

I’ll be performing a new, site-specific engagement piece called Validated at Boston City Hall on March 29, 2025 as a part of an event showcasing work by artists in Boston’s Mobius Artist Group called States of Emergence.

This multidisciplinary event features participatory and experimental works in movement, light, sound, time, and interactive engagement. In response to contemporary threats to American democracy, society, and culture, States of Emergence asks: how do we emerge from this moment? By coming together to be grounded in our bodies, embrace complex emotions, listen to diverse stories, and share concerns with one another, we hope this evening of experiential dialogue will be a moment of catharsis and collective imagination toward a better future. This event is made possible by the Mayor’s Office of Arts and Culture, City of Boston, and showcases the work of fifteen artists and collaborators within the Mobius Artists Group, curated by Jasper A. Sanchez.

The Mobius Artists Group is a Boston-based artists’ collective committed to creating original, experimental work in all media. Its home is Mobius, Inc., an artist-run non-profit, tax-exempt, 501(c)(3) organization that creates opportunities to generate, shape and test experimental art. Founded by Marilyn Arsem in 1975, Mobius has been a regional and transnational laboratory for supporting and building relationships among fellow artists. They have presented work involving thousands of artists over the past 50 years. Works created by members of Mobius Artists Group have been presented throughout North and South America, Europe, the Middle East, and Asia. Several notable exchanges with artists from Norway, Northern Ireland and Ireland, Croatia, Macedonia, Poland, and Taiwan have focused on public sites as incubators for discourse.

More information at https://statesofemergence.splashthat.com/

Image designed by Marcel Marcel.

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Feb
17
to Feb 28

Open Call for SLAY!

  • Google Calendar ICS

Between now and February 28, 2025 I’m inviting proposals for works by regional (New England) queer artists who work performatively for an Ides of March event produced by Mobius called SLAY.

The theme of SLAY is the Ides of March–a time of omens, superstition, curses, hexes, prophecy, plotting and crowd-sourced assassination. Taking inspiration from a date famous for being the beginning of the end of the Roman Empire, Mobius calls in queer community and invites artists who work in performance art to pull out all of the psychomagical stops and cast anti-authoritarian spells with us. Show us how you use your queer power to conspire towards the fall of all of the Roman Empires of the present. Show us how you slay!

We welcome proposals for all formats: movement, performance, spoken word, drag, sound-based works, and anything else you feel moved to do in response to the Ides of March and the infamous fall of Caesar. 

Mobius is proud to present this program as a successor to the first-ever 100% Queer Mobius event, MobiusLIVE: Bodies that Matter in 2023, first organized by former Mobius member Tom Mackie and current member Hey There Kapplow. This second iteration is co-curated by Heather and Jasper A. Sanchez. These events are curated and created by queer artists for queer artists. 

See application form for full details, but here is some basic information:

  • SLAY will take place on March 16, 2025 at The Lilypad in Cambridge from 3:30-5:30 (we have the space from 3-6pm, inclusive of setup and breakdown.) 

  • All participating artists must identify as queer.

  • Proposed works must be 20 minutes or less in duration.*

  • The less production/tech that your work involves, the better as the time is tight, and we want to include as many artists as possible, but the venue is well-equipped for sound and projection, so if you need these things, it’s fine!

  • Apply through this Google form. Contact heather@mobius.org or jasper@mobius.org if the form poses difficulty for you.

  • Deadline for submissions is 11:59PM EST February 28, 2025. We will make our selection and get back to you by March 5, 2025. If you have questions, please send them to us by February 22 so we will have time to research and get answers to you before the deadline.

*Contact us if you want to propose something longer. There is very limited time in the venue, but if it works with how the rest of the program shapes up in terms of how the space is being used, it might be possible for something durational to happen in the background of other performances in some way.

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Jan
31
4:00 PM16:00

"Everything is an Archive" included in Undoing the Archive

I’ll be presenting a new piece called Everything is an Archive from 4-8pm at “Undoing the Archive” a seven hour event that is part of “an archive and/or a repertoire” at Tufts University Gallery, SMFA.

Join Tufts University Art Galleries and Mobius Artists Group for performances, sound works, and installations responding to the Tufts University Archival Research Center (TARC)’s Mobius Inc. Records and the larger conception of the “archive.” Resisting the urge to adhere to the de facto logics, organization, and authority of the archive, contributions from Marilyn Arsem, Margaret Bellafiore, Jimena Bermejo, Serena Gabriels, Elena Godena, Heather Kapplow, Marcel Marcel, Forbes Graham, Jeff Huckleberry, Sandy Huckleberry, Kledia Spiro, Joanna Tam, and Anna Wexler embody adjacencies, challenges, resistances to, and thinking with archives—institutional, governmental, collective, familial, and personal.  

Mobius Artists Group is a Boston-based artists’ collective committed to creating original, experimental work in all media. Mobius, Inc. is an artist-run non-profit, tax-exempt, 501©(3) organization that creates opportunities to generate, shape and test experimental art. Since 1975, Mobius has been a regional and transnational laboratory for supporting and building relationships among fellow artists. Mobius is recognized as one of the seminal alternative artist-run organizations in the U.S. and has presented work involving thousands of artists over the past 40 years. Works created by our members have been presented throughout North and South America, Europe, the Middle East, and Asia. Several notable exchanges with artists from Ireland and the U.K., Croatia, North Macedonia, Poland, and Taiwan have focused on public sites as incubators for discourse.

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Oct
18
to Oct 20

“Thinker-in-Residence” for the 2024 edition of Art in Odd Places: CARE

  • East 14th Street New York, NY United States (map)
  • Google Calendar ICS

I’m acting as a “Thinker-in-Residence” for the 2024 edition of Art in Odd Places: CARE.

CARE is curated by Patricia Miranda and Christopher Kaczmarek and features 75+ artists' projects intervening along 14th Street, from river to river, in Manhattan between October 18-20, 2024.

”Care is a ripple. From intimate to global, from self-care, care of family and lover, friend and neighbor, town and city, state and country, the global world, care undulates out to our whole island planet and every species upon it. To care is to look after, provide for, to watch over, to grieve, to lament, to cry, to feel concern, to attach importance. Art opens a space of empathy – an invitation to see through the eyes and heart and mind of another. An act of hope and imagination – art can help us dream new ways and new worlds into being. We invite you to imagine together how we can bring care to one another and our fraught and fragile world. AiOP 2024 asks how art can create spaces and actions of compassionate fearless care.”

Art in Odd Places aims to stretch the boundaries of communication in the public realm by presenting artworks in all disciplines outside the confines of traditional public space regulations. AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.

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Jul
7
12:00 PM12:00

You Only Get One Body

Graphic by Itala Aguilera

July 7, 12-5, weather permitting
You Only Get One Body! (Elder Sunbathing–But Everyone is Welcome!)**

Bring your grandparents, a blanket, some sunscreen, and water and come celebrate the anniversary of the 1992 court ruling that allows chests and breasts equal access to the light of day in the state of New York, while also celebrating bodies of all ages, shapes, sizes and genders. This is a preview event for The Golden Colonel, a speculative retirement home for artists on Governors Island that will open on July 13, 2024. The Golden Colonel will still be under construction, so not yet open to the public, but July 7 is an official holiday for the organization, celebrated annually with elder- (and ally-) optionally topless sunbathing. We invite you to join us to help kick off the first annual You Only Get One Body! 

A very (literally!) laid back sunbathing event on July 7 (12-5pm) about elder-visibility and allyship: You Only Get One Body! is a celebration of human bodies of all ages, shapes and sizes, as well as a commemoration of the 1992 ruling that allows everyone in New York to sunbathe topless if they so choose. We'd love you all to join us in this celebration of age, bodies and relaxation in the sun (which is kind of "retirement practice" for retirement for those of us who have not quite retired yet!)

More info: https://www.fluxfactory.org/the-golden-colonel

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Jul
7
to Aug 11

The Golden Colonel Retirement Home for Artists

Graphic by Itala Aguilera

As part of its fourth seasonal residency on Governors Island, Flux Factory presents group exhibition, The Golden Colonel, a speculative retirement home for artists, open from July 12 - August 11, 2024.

Curated by artists Heather Kapplow and Itala Aguilera, with assistance from Shinobu Akimoto, co-director of Residency for Artists on Hiatus, The Golden Colonel features works in all the mediums by John Allen, Sydni Ann Baker, Margaret Bellafiore, Noémie Jennifer Bonnet, Ben Galaday, Carrie Hawks, Li-Ming Hu, Shushanik Karapetyan, Alix Lambert (in collaboration with Itala Aguilera), Marcel Marcel, Nancy Nowacek, Moses Ros, Mark Shaw, Walker Tufts, Yolanda He Yang, Silvana Zuanetti, and an anonymous submitter using the moniker “Older Artist.”

There is an unspoken understanding that because being an artist is not a “real” job, but something more like a calling, and because artists often don’t earn enough money to save for old age, they can’t retire. They just make art until they die. From July 12 through August 11, 2024, The Golden Colonel explores some of the complexities of artists considering the same choice to retire from their practices as everyone else.

Most people wait until they retire to explore their creativity. The Golden Colonel is a place for people who have already done that. So what comes next? We’ve gathered work by artists ranging in age from their early 20s to their early 80s to reflect on what might lie beyond artmaking, or whether it’s even possible to stop making art.

The exhibition takes place at 404A Colonels Row* from July 12 through August 11, 2024. Gallery hours are 12-5, Friday through Sunday, and by appointment.

Happenings:

You Only Get One Body! (Elder Sunbathing–But Everyone is Welcome!)**

July 7, 12-5pm, weather permitting

404A Colonels Row, Governors Island NYC

A very (literally!) laid back sunbathing event about elder-visibility and allyship.

Bring your grandparents, parents or yourself; a blanket; some sunscreen; and water, and come celebrate the anniversary of the 1992 court ruling that allows chests and breasts equal access to the light of day in the state of New York, while also celebrating bodies of all ages, shapes, sizes and genders. This is a preview event for The Golden Colonel, a speculative retirement home for artists on Governors Island that will open on July 13, 2024. The Golden Colonel will still be under construction, so not yet open to the public, but July 7 is an official holiday for the organization, celebrated annually with elder- (and ally-) optionally topless sunbathing. We invite you to join us to help kick off the first annual You Only Get One Body! 

**Accessible Event.

Opening Reception with Ribbon Cutting by Martha Wilson

July 13, 12-6pm

404A Colonels Row, Governors Island NYC

Please attend the grand opening of The Golden Colonel, featuring a ribbon cutting** by pioneering feminist artist and Founding Director Emerita of Franklin Furnace, Martha WIlson. Take a tour of the facility, meet some residents, and try out some of our activities! On this date you’ll have the opportunity to experience Bed Piece by Mark Shaw after the ribbon cutting, and at 4pm, a Remembering/Forgetting Spellcasting Ceremony** by Carrie Hawks.

**Accessible Event.

The Third Saturday

July 20, 12-6pm

404A Colonels Row, Governors Island NYC

We no longer remember what it commemorates, but The Third Saturday is a holiday at The Golden Colonel! We’ll celebrate it with a reprise of Bed Piece by Mark Shaw, an opportunity to play Monster Cards by Ben Galady, and will also offer a group therapy session "for dying artists" called The Last Painting** led by artist and psychotherapist Shushanik Karapetyan.

**Accessible Event.

Instagram Accounts to Follow: @flux_factory @heather_kapplow @shinobuakimoto._.official @noemie__jb @lixilamb @nancynowacek @yolandaheyang_arts @mark_shaw @ex0genesis @jw4lker @maroonhorizon @moses_ros @spandexical01 @sydniannbaker_ @balmypalms @s.voltapagina

*Note that the building has stairs at its entryway and is not wheelchair accessible. Activities that occur outside are fully accessible and are identified here with two asterisks.
**Accessible event.

More info: https://www.fluxfactory.org/the-golden-colonel

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May
15
to Jul 1

"A Small Difference" included in Saturn Return

Detail from Wieteke Heldens’ Green is a healing color/ Green doesn't sell/Green Legend 

Flux Factory is celebrating its big thirtieth anniversary by exhibiting 37 alumni of our Artists-in-Residence program. This grassroots community spans decades and continents and features work across all media.

This year we mark Flux Factory's Saturn Return — born 1994, when Saturn was in Pisces. In astrology, the "Saturn Return" refers to a roughly thirty-year cycle that prompts re-evaluation of life, limitations, and the support structures we're making. In typical Saturnian fashion, Flux Factory is in the throes of a midlife crisis while establishing newly-owned, yet-unopened venues. All the same, we're too blessed to be stressed and can't wait to premiere our new venue, Flux IV, and host our season premiere at Governors Island with a celebration of the people and ideas that have made our community durable through the decades.

Saturn Return Takes Place both at Flux IV and on Governors Island:

Flux IV (56-21 2nd St, LIC) - May 15 is the inaugural public event at our brand new venue!

Governors Island (Colonel's Row House 404a) - May 18 is the season premiere at Flux's fourth year in our beloved haunted house on Governors Island.

Key Event Dates

May 15, 6pm-9pm
Flux IV Exhibition Opening, in conjunction with the LIC Arts Open Kickoff Party

May 18 1pm-6pm
Governors Island Exhibition Grand Opening

Gallery Open Hours
At Flux IV – Saturday and Sunday afternoons 1pm-5pm
At Governors Island – Friday – Sundays 12pm-5pm
Every week through closing on July 1

Artists Exhibiting at Flux IV (56-21 2nd St, LIC) include: Alex Wolkowicz, Amelia Marzec, Caitlin & Misha, Cecilia Enberg & Eric Malmberg, Don Daedalus, Heidi Neilson, Li-Ming Hu, Lily Baldwin, Mare Liberum, Maureen Catbagan, Patrick Topitschnig, Richard Nathaniel, Roopa Vasudevan, Trasonia Abbott, Tray Tsui, Walker Tufts, Wieteke Heldens, and Will Owen.

Artists Exhibiting on Governors Island (Colonels Row, House 404a) include: Angela Washko, Ben Galaday, Ethan Shoshan, Hey There Kapplow, Itala Aguilera, Jack Hogan, Jodie Lyn-Kee-Chow, Lee Tusman, Lena Hawkins, Lucas Abela, MaLo Sutra Fish, Maya Quattropani, 502 Bad Gateway, Ruby Kwon, Valentina Medda, and Zachary Handler.

More info: https://www.fluxfactory.org/saturn-return-flux-factorys-30th-anniversary-residency-group-exhibition/

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tK Reunites to Play Sloppy Heads Residency at Mama Tried
May
9
7:00 PM19:00

tK Reunites to Play Sloppy Heads Residency at Mama Tried

Sloppy Heads - shambling/pretty, structured/disintegrating

tK - (Phil Milstein, Heather Kapplow & Thalia Zedek) causes situations in which everyday aural experience is distended from its natural function. By applying arbitrary manipulations, new functions and contexts are undertaken. The results are deconstructed to the extent that meaning is mutilated and all possible interpretations are quashed.

Little Black Egg (Georgia Hubley of Yo La Tengo)

More info: https://mamatriedbk.com/upcoming-events/sloppy-heads-residency

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Apr
25
7:00 PM19:00

Dirty Time Emoji Reveal Party

  • Long Island City, NY, 11101 United States (map)
  • Google Calendar ICS

Ed Woodham eats mudpie at Dirty Signs closing event, September 30 2023.

Hosted by Hey There Kapplow of Dirty Time (with Sally Beautytwin)

In 2022 and 2023, the dirtiest queers you know got their act together and formed a real bonerfide thinktank in order to fill the biggest gap in modern communication: the lack of an emoji for dirt. They spoke with small children in Norway and art students in the American South and hosted a month long installation of proposals and experiments and performances which they have just queerfully distilled down into a formal proposal and submitted to The Unicode Consortium for consideration for entry into the emoji lexicon alongside such beloved icons as 🌈🦄🍑🍆 and 💦. Perhaps soon the emoji for dirt will pop up on everyone’s devices between 🌵and 🌊, but you can be the first to see it at this celebratory meal featuring dirty food, dirty stories, and a participatory emoji reveal.

Thursday Apr 25, 2024 7pm. 

Top secret location in Queens NY.

Email info(AT)heatherkapplow.com for coordinates.

7pm Dirty Potluck - We’ll get things started with a shared meal. If you can, bring the dirtiest foods or drinks you can think of to contribute. What does that mean? Trust the dirtiest part of yourself to figure it out, but if you need help dirtying something basic up, we’ve got you covered–just bring what you’re inspired to bring and we’ll make it dirtier for you if need be.

7:30pm Dirty Stories - Once we’ve settled in with some food, we’ll start passing the mic. Who doesn’t like hearing a dirty story while they eat? Right? The dirtier the better.

8pm Slow Messy Reveal - The emoji reveal is collaborative. And the meal’s centerpiece. Will it be messy? Yes it will.

8:30pm Clean Up - I know, that seems counterintuitive. Still, if you stay to help clean up, we can offer…

9pm Dirty Karaoke After Party - Sing the dirtiest songs you know, songs about dirt, or super clean songs but accompanied by dirty dancing….

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Feb
27
6:30 PM18:30

Studio 170 Showcase and Info Session Featuring Chaia and Heather Kapplow

Join me at Goethe-Institut Boston's Germany Travel Stipend Showcase and Information Session on Feb 27 6:30pm where I'll give a presentation on the research and art-work I did in Germany in Dec 2023-Jan 2024, along with the other Boston-area artist who received the same Studio 170 travel grant, Kaia Berman-Peters.

I'll talk about two amazing residency programs that I spent barely enough time at that you might want to know about, and several more that I learned about while there; a deep dive that I took into a community care/mutual aid project that I think the Boston art community could really benefit from knowing about and which I am working now to import here; some of the complexities of what's going on in the artist-activist community in Berlin as I experienced it; failure; breakdown; inadequacy; death; memorial...all the good stuff. Please come, it will be weird and fun (I hope) and then there will be dancing.

ALSO, it's an opportunity to learn more about the grant if YOU have plans to do a project in Germany in 2024 and need travel support. Details below!

Meet last year's stipend recipients - Learn about Studio 170 programs and how to apply - Featuring live music by DJ Chaia

Wondering what the Studio 170 (travel stipend to Germany and residency at Goethe) is all about and how to apply? Want to get to know past recipents? Join us for a Studio 170 Showcase and Info Session!

RSVP here

2023 Studio 170 Travel Stipend recipients Chaia (Kaia Berman-Peters) and Heather Kapplow are back from their respective residencies in Germany and excited to share their stories and projects with us. Join us for an evening of their interactive project presentations, a session on Studio 170, residency opportunities in Germany and how to apply, and a Q&A session. As a special treat, Chaia will perform a set of her Klezmer-informed house/techno grooves dance music. 

Studio 170 ǀ Germany is a new travel stipend that offers artists of all disciplines, living and/or working in New England, support for projects that take place in and interact with Germany. Whether an artist residency or collaboration with an artist based in Germany, the support program helps to make these projects possible by covering travel, accommodation and transport costs.  

Chaia (Kaia Berman-Peters)  My name is Chaia and I'm an electronic music artist who brings together samples of Eastern European Jewish music with house and techno grooves. My trip to Berlin and performance at the Shtetl Berlin Festival centered both around Hofn Stantsye, an audio-visual installation I created in collaboration with Dan Tombs, and around the repertoire of Adriane Cooper, a pioneer of the Jewish world who wrote songs about peace and community-building. During my trip, I met with Dan several times and built a visual component for the installation. I also performed Adriane's repertoire for an audience of 500 people at the Jewish Museum of Berlin. While I wasn't able to perform the installation at the festival, I've been invited back to the next iteration of the festival in November and plan to perform it then. During my trip I also met with SoCalled and Dobranotch, artists at the forefront of the electro-folk scene and collaborated with them on two new remixes, which will be released this summer. https://www.chaia.online/

Heather Kapplow I’m a conceptual artist who makes participatory experiences and went to Germany for six weeks to do research for a future collaborative project called “Getting Somewhere Important?” that looks at how public spaces reflect social values around success and failure. And at creative ways people respond to public space that resist this embedded binary. I spent part of my time in Berlin at ZK/U Center for Art and Urbanistics, and the rest at a residency in Hamburg called Hyper Cultural Passengers. 
  
My plan for the trip took some unexpected twists and turns, but I trained in a DIY, feminist model of peer-driven community care; investigated my internal landscape for some of the patterns I’d intended to look at in physical landscapes; and—perhaps because of the scale of death being reported in the daily news, or because my residencies were both near sites of mass detainment and deportation of Jews in the 1940s—ended up focusing on the difficulty of memorializing the uniqueness of individual human lives.  
  
I closed the trip by producing a workshop and very simple installation called “Deathbed Dreams” at a radical/queer artspace in Hamburg called Villa Magdalena K.  https://www.heatherkapplow.com/.

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Open Studio Event at Wedding Cake House Residency Providence RI
Feb
12
4:30 PM16:30

Open Studio Event at Wedding Cake House Residency Providence RI

Open house / open studios: 4:30-6pm!

Hang out, explore the house, have a snack, make some friends, and most importantly, see what the artists have been working on! All are welcome, no RSVP needed

Artist presentations: 6-7pm

Listen to presentations from each of the artists in residence! This event has very limited seating, to RSVP please reach out to dirtpalacepublicprojects@gmail.com 

First come first served with RSVPs. 

Both the open house and the artist talks will be masked events, and we will have masks on hand. 


AMAZING LIST OF ARTISTS: Ines Bellina, Lili Chin, Sophia Karina English, Carrie Hawks, Heather Kapplow & Liz Nofziger, Evans Molina Fernandez, Fatema Maswood

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Jan
13
to Jan 14

Deathbed Dreams (Getting Somewhere Important? Phase I)

We will all die someday.

Even though we don’t talk about it much, we think about it sometimes, and when we think about it, it is common for us to think about how we will be remembered in the world after we die. Will the people around us get it right? Will they understand what it is about us that is completely unique, can never be replicated, will never exist again once we are gone?

American artist Hey There Kapplow hosts an experimental workshop experience investigating the shape of the uncomfortable gap between how we feel ourselves being internally, and how our external environments and communities shape, categorize and articulate us.

The process will involve reflecting together on our own eventual deaths and the difficulty that memorial rituals pose for capturing the nuance of being and then ceasing to be. We will also stay aware of our historical context, thinking together about exactly what it means for every human life to matter—to have value.

Deathbed Dreams is artistic research for a later, collaborative, project called Getting Somewhere Important? that is about a kind of dysphoria that our social systems and the architectural features of our public spaces can produce in us (an idea inspired by gender dysphoria, the embodied dissonance associated with differences between experienced and externally perceived gender.)

For Deathbed Dreams, we will think together about each existing person’s complete uniqueness and value, and try to make a clear distinction between how we feel seen externally and how we feel we really are/wish we could be seen.

The workshop will take between 2 and 4 hours, depending on the number of people. Please dress comfortably for moving around and possibly getting your hands a bit dirty.

It is optional, but if you can, please bring an object from your life that feels like it is the most yours—something that you feel only you would choose to own or can understand the specialness of…

The workshop will occur at Villa Magdalena K. on 13 January 2023 beginning at 14:00 and will result in a very simple installation that will remain in the space through 14 January, with a closing event on the 14th at 17:00.

Please register for the workshop by Friday 12 January and send questions to: info@heatherkapplow.com


Deathbed Dreams is being generously hosted by Villa Magdadelna K and the development of the idea has been supported by Goethe-Institute Boston, as well as by Hyper Cultural Passengers in Hamburg and ZK/U in Berlin.

Artist Bio

Kapplow does nothing.

But lots of other things as well.

Current interests include the intersection of dirt, time and queerness; intuition and its embodiment; socio-spatial dysphoria; loneliness and death; collectivity; and playful/creative/experimental modes of resistance to oppression, ordinariness, and other unnecessary hindrances to wonder-filled ways of being in the world.

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Nov
15
to Nov 17

Dirty Signs Workshop at Urban Soils Symposium November 15-17

  • The Arts Center at Governors Island (map)
  • Google Calendar ICS

As a part of our ongoing Dirty Signs project, Dirty Time will be hosting a roving (and lightly costumed!) workshop throughout the 8th Annual Urban Soils Symposium in NYC (Metabolism of Cities) from November 15-17, 2023.

Join us to help develop the most important emoji ever!

More symposium details below.

METABOLISM OF CITIES: AN INVITATION TO EXPLORE NATURE’S METABOLISMS & THE METABOLISMS OF OUR BUILT WORLDS; DISCOVERING THE PROBLEMS AND FINDING THE OPPORTUNITIES FOR TRUE SUSTAINABILITY.

Our built environments, driven by consumption, mimic and employ part of Nature’s metabolism, but disconnect from it at the point where we create the waste stream. This disconnection triggers a cascade of issues socially, culturally, environmentally, and economically.

Metabolism of Nature runs the living planet with each organism playing its part; sustaining, optimizing, recovering, breaking and building, under the unnegotiable laws of Nature.

SOILS: are the dynamic force supporting all life that runs the planet.

Integrating them back into the built environment reconnects us to the non-built environments, making soils the fundamental opportunity for metabolism repair, enabling true sustainable development for human and environmental health & wellness.

This is a platform bringing together different disciplines, sectors, and backgrounds for discussion and building action items together. We are inviting you to bring your projects, ideas, research, stories, and explorations to share.

Soils Unite!

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Nov
5
11:00 AM11:00

Getting Bent Included in Evaporate Live Art Festival, Boston

I’ll be performing a new experimental movement pice called Getting Bent, as a part of the Evaporate Live Art Festival on November 5, 2023. Getting Bent is based on British Pathé film clips of a Cornish water diviner named Catherine Bent, at work, in 1954. Full festival description follows.

As an extension of the exhibition, Reservoir: What the Water Knows, curated by Arlinda Shtuni, Boston’s Mobius Artist Group presents Evaporate, a weekend’s worth of live art programming over the first weekend of November.

Evaporate takes advantage of the Metropolitan Waterworks Museum’s unique setting and the special sensitivity of artists who work in ephemeral ways, and whose practices are deeply informed by watery surroundings, featuring artists from Performance Art Bergen in Norway and from Boston’s own Mobius Artist Group.

Organized by Mobius member Heather Kapplow and PAB member Anette Friedrich Johannessen, Evaporate consists of two days of performances that will activate the museums’ exhibition halls, grounds, and the nearby reservoir, flowing through these spaces in a quick rush, as the city’s water once flowed through them, and then dissipating just as quickly.  

Participating artists include: Anette Friedrich Johannessen, Bjørn Venø, El Putnam, Forbes Graham, Jan-Egil Finne, Jeff Huckleberry, Jimena Bermejo, Joanna Tam, Heather Kapplow, Kurt Johannessen, Kledia Spiro, Lani Asuncion, Marcel Marcel, Margaret Bellafiore, Marilyn Arsem, Max Lord, Nayara Leite, Nife Brzoza, Pavana Reid, Philip Fryer, Sandy Huckleberry, Sara June, Serena Gabriels, Tom Mackie.

***

Saturday Daytime Program (throughout museum opening hours; 10am-3pm; free)

Open Session, a large group improvisation spanning three hours, is a free and experimental art space, open to performers, artists and audience with an interest in performance art. The concept is inclusive and open, so performance artists can have an arena to test new ideas and freely work with their intuition and with each other. They also aim to stimulate and promote exchange between improvisations from different fields and disciplines - artists, dancers, musicians, actors, vocalists and above all, those who cross all these art forms and have an interest in improvising in an interdisciplinary and interpersonal way. The theme of this Open Session will be water.

Anette Friedrich Johannessen, Bjørn Venø, Forbes Graham, Jan-Egil Finne, Jimena Bermejo, Joanna Tam, Kurt Johannessen, Kledia Spiro, Margaret Bellafiore, Nayara Leite, Pavana Reid, Sandy Huckleberry, and Serena Gabriels. Audiences are also invited to participate in the improvisation.

***

Saturday Evening Program (6:30 doors, performances 7pm-9pm, tickets are $15 at the door, cash, cards, venmo, paypal accepted)

Curated by Mobius member Forbes Graham, this evening’s program features three artists from Bergen, Norway: Anette Friedrich Johannessen, Bjørn Venø and Jan-Egil Finne; and a solo performance by Mobius member Lani Asuncion. All performances are water-themed.

***

Sunday Daytime Program (throughout museum opening hours; 11am-4pm; free)

Staggered around the museum and its grounds often in overlapping ways, Anette Friedrich Johannessen, Bjørn Venø, El Putnam, Jeff Huckleberry, Jimena Bermejo, Heather Kapplow, Pavana Reid, Marilyn Arsem, and Nayara Leite will showcase individual works related to water and the site throughout the day.

***

Sunday Evening Program (6:30 doors, performances 7pm-9pm, tickets are $15 at the door, cash, cards, venmo, paypal accepted)

Curated by Mobius member Jeff Huckleberry, this evening’s watery performances will feature Kurt Johannessen, and local artists Sara June with Nife Brzoza and Max Lord, Philip Fryer, and Tom Mackie.

***

Please see https://performanceartbergen.no/en/members/ for more information about the artists from Bergen Norway who will be performing and  https://www.mobius.org/mobius-artists for bios of Mobius artists.

As parking is extremely limited at the museum, we strongly encourage taking public transit to the festival. Directions can be found here: https://waterworksmuseum.org/visit/#directions

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Oct
23
to Oct 31

Participating in Walking as Practice at Björkö Konstnod

In response to traversing Björkö Konstnod’s landscape on foot, Kapplow will create “descriptions” of the internal and external discoveries made while walking by intertwining sound recordings, objects gathered on the journey, and writing into experimental texts that can only be fully “read” by engaging the hands, the ears, the whole body…

Kapplow is experimenting with ways to share understanding or to tell stories that let language dissolve into and return from nature, instead of replacing it.

The object-stories that emerge, with artifacts from the environment that they are describing embedded throughout them require a kind of “reading” that includes experiencing their decomposition as part of their story.

More information about the festival at: https://bjorkokonstnod.se/wap23artists

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Sep
30
1:00 PM13:00

Dirty Signs on Governors Island

Dirty Time, a queer artist duo focused on dirtiness and time, announces a weeklong popup exhibition and participatory activities related to their campaign to add an emoji for dirt to the official catalog of emoji. 

Dirty Signs runs from September 23 - October 1, 2023 with a rousing closing event including live performances by Sarah Dahlinger and Ed Woodham on September 30 from 1-5pm, at Colonels Row House 404A, Governors Island.

Dirty Signs is an exhibition of international artist responses to the idea of emojifying dirt, featuring works by B a r b a r a Schneider, Daniel S. DeLuca, Ed Woodham, Gustavo Gómez-Mejía, IPRAMENE, Lee Tusman, Liz Nofziger, M Greenwald, Maia Liebeskind, Noelle Salaun, Renée Crowley, Sarah Dahlinger and Vidya Giri in 2D, 3D and 4D formats. Dirty Time will also be collecting visitor suggestions for a potential dirt emoji through a “think tank” installation within the exhibition, and several participatory activities on September 30.

Even though dirt is where our food comes from, is where our bodies get buried when we die, and is literally everywhere we go, it is not represented yet in the emoji universe. Somehow we have emojis for unicorns, pufferfish, poodles and Santa Claus, but not dirt! Dirty Time is planning to try to correct this oversight and will be submitting a proposal for a dirt emoji to the Unicode foundation in 2024. 

Join us for Dirty Signs at the Flux House on Governors Island from September 23 - October 1 with think tank activities, performances and artist reception on Saturday, September 30 from 1-5pm. 

This exhibition is part of Flux Factory’s 2023 residency on Governors Island.

About Us:

Dirty Time (https://dirtytime.us/) is Hey There Kapplow (http://heatherkapplow.com) and Walker Tufts (http://walkertufts.com). We have been investigating the impossibility of cleanliness since 2021 and we’ve dug up a dirty little secret: there’s no clean that’s not dirty.

Dirt feeds you and eats you. Dirt is your companion and your portal to the past and the future. We’re here to help you recognize your glorious, delicious dirtiness and your connection to all time through dirt. 

For more information see: https://dirtytime.us/dirtysigns.html

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Apr
3
to Apr 30

"Pseudomorphose" at 10b

Pseudomorphose is inspired by a neighbor I had years ago.

We didn’t speak the same language, but we were acutely aware of each other’s presence as we both managed, in our own ways, what energies were permitted to pass through the building’s common spaces.

Her rituals of caring for our space addressed things I couldn’t see, but I could feel their impact. This understanding—that important transformative processes can occur without being visible in any way—has unfolded on me more and more profoundly over time.

Inspired by my experience of her efforts, Pseudomorphose radically transforms 10b Projects in imperceptible ways.

Public events will consist of calm, quiet, 1:1 conversations; group exchanges reflecting on experiences of change and transformation; and opportunities for just being in the altered space.

Drop In hours on April 15th and April 22nd from 12:30pm-4:30pm and by appointment. Closing event on Sunday 30th from 2:29pm (the beginning of the day's moonrise) until dusk (8:13pm). See event details below.

***

Please join us at 10b Projects for the conclusion to Pseudomorphose, anytime between 2:29pm (the beginning of the day's moonrise) and 8:13pm (dusk) on April 30, 2023. For the month of April, Kapplow has been investigating the visibility/invisibility of the occurrence of change, altering the space of 10b subtly and powerfully so that it functions as an engine for implementing change.

On April 30th, there will be ongoing informal conversation about the nature of change, along with a variety of actions meant to close the (mostly invisible) labor that Kapplow has been engaged in. The event will also serve as a kind of psychic co-working space: If you have something that you have been trying to move from one state to another--a project, an attitude, society, a benchmark in your exercise routine--whatever, bring your work in progress with you and use the highly-charged-for-change space to amplify your efforts. Or to just literally do some work on your thing alongside others who are doing the same. Drop in any time. A bit before dusk, we may take a walk together, so if you come towards the end, wear shoes that you can walk in.

Learn more about Pseudomorphose here and see images of Pseudomorphose in progress here.

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Mar
19
1:00 PM13:00

"Seeking the Source" Walking Experience Sunday March 19, 2023

Join me for a walking experience connected to my project Seeking the Source, currently on view at the Somerville Museum as part of the exhibition Waterlines curated by Arlinda Shtuni. You can get a ticket for the event here.

The event will begin at the museum with a discussion about the work on display, and then we’ll explore the museum's immediate neighborhood in silence, paying acute attention to how intuition offers guidance about when to walk, when to pause, and how to keep the group together. The event will close with reflections from the experience.

ADMISSION: $10/person; Somerville Museum active members free (with code MEMBER); no charge for children under 12 years old. Admission to this event also includes exhibition admission.

NOTES ABOUT EVENT: This event is rain or shine, please dress accordingly. Good walking shoes, water bottle, sunscreen, hat, and umbrellas are recommended depending on the weather. The walk will last about an hour.

PARKING: The Somerville Museum has no dedicated parking spots. Please note visitor parking spots on Westwood Road, Central Street, and Highland Ave. Visit our website for more information.

ACCESSIBILITY: The Somerville Museum is now ADA compliant. For more information contact us at info@somervillemuseum.org.

Curated by Community Curator, Arlinda Shtuni, Waterlines explores Somerville’s origins, urban expansion, and ever-changing ecology through stories about water.

Seeking the Source is a project by the artist Hey There Kapplow, commissioned for the exhibition Waterlines at the Somerville Museum, in Somerville MA (USA) from December 2022 - March 2023. It uses water as a metaphor for intuition, and the tenacious persistence of the practice of dowsing in the modern world as a symbol of our capacity to retain and nurture intuitive understanding even while we rely on technologies and enlightenment-age logics for our day to day operations in a way that would seem to make intuition obsolete.

The exhibition hosts a collection of ‘objects with soundtracks’ I’ve made which evolved out of an interest in the contemporary coexistence of the folk-practice of dowsing (water divining) alongside more modern methods of detecting and assessing the presence of water underground.

The development of Seeking the Source has been supported by The Somerville Museum, Flux Factory, ARoS Museum, Useful Art for Communities, and USF Bergen.

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Dec
15
to Mar 22

"Seeking the Source" in Waterlines at Somerville Museum

Curated by Community Curator, Arlinda Shtuni, Waterlines explores Somerville’s origins, urban expansion, and ever-changing ecology through stories about water.

Seeking the Source is a project by the artist Hey There Kapplow, commissioned for the exhibition Waterlines at the Somerville Museum, in Somerville MA (USA) from December 2022 - March 2023. It uses water as a metaphor for intuition, and the tenacious persistence of the practice of dowsing in the modern world as a symbol of our capacity to retain and nurture intuitive understanding even while we rely on technologies and enlightenment-age logics for our day to day operations in a way that would seem to make intuition obsolete.

The exhibition hosts a collection of ‘objects with soundtracks’ I’ve made which evolved out of an interest in the contemporary coexistence of the folk-practice of dowsing (water divining) alongside more modern methods of detecting and assessing the presence of water underground.

In addition to the works on display in the museum, I will offer a walking-based, participatory experience on March 19, 2023, which I’ll list as a separate calendar event here as the date grows closer.

The development of Seeking the Source has been supported by The Somerville Museum, Flux Factory, ARoS Museum, Useful Art for Communities, and USF Bergen.

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Dec
4
12:00 PM12:00

Dirty Time Norway Edition

This Sunday, starting at noon, Dirty Time will be collecting your dirt and your dirty stories for our traveling Dirty Library as a part of Familiedag på USF in Bergen. Bring some dirt/soil/dust or other detritus that is meaningful to you in some way and it will become a part of Dirty Time's permanent roving dirt collection. Learn more: https://dirtytime.us/

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Sep
29
6:00 PM18:00

Seeking the Source Workshop

Storyteller Sara Domingo Brauner and participatory artist Hey There Kapplow invite you into a conversation and crafting workshop investigating the place of the intuitive arts in the modern world.

Inspired by the (Jewish) story of the angel Lailah, and the way that water divination has been woven into or used alongside scientific methods in the professions that seek and map underground water sources, we will share personal stories and experiences with one another while making and experimenting with some tools from the intuitive arts and techniques for strengthening the intuition, despite the noise and chaos of modern life.

BIOS

Sara Domingo Brauner is a storyteller and a body therapist. As a storyteller and artist, Sara has traveled collecting stories and studied in the International School of Storytelling, in England, where stories are used as a method to bring change to the world. In addition, she has studied under the mentorship of Shonaleigh Cumbers, in the way of traditional Jewish storytelling, using this art as a way of transmitting wisdom. Currently she is holding monthly storytelling circles and workshops, bringing the art for storytelling into her community in Aarhus.

Hey There Kapplow uses prompts, conversations, objects, sound, installation, walks and circumstances to invite people to pause their usual ways of operating and participate in embodied, anti-capitalist discovery processes together. Kapplow facilitates collective experimentation with alternative ways of being and understanding, in an effort to reduce suffering bred by the social structures around us.

RSVP on Facebook for this event.

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Sep
25
2:30 PM14:30

Oracle Dumplings at TANKEN (EXTRA)

Every dumpling is holding an answer. But you have to bring the question. The water boils. The oil bubbles. The oven bakes. The answer ripens in the dumpling. It is growing there while you grow your question.

On Saturday at 10:30, close your eyes.

No, open your eyes and look at the sky, or the ceiling.

Watch your question form there like clouds gathering.

No, close your eyes. Watch your question turn into words. What do you need to understand to make the next choice in your life?

What do you need to understand to make the world you want come into being around you?

Open your eyes. Rub your hands together briskly. Put your warm hands on your stomach and know that the answer to your question is coming your way...

TANKEN EXTRA

TANKEN will be in Damhus Å Havn (Bækbyvej 19, Skalstrup, 7570 Vemb) on Sunday 25 September at 14.30

Here two American artists will be visiting: Will Owen and Heather Kapplow, who will already be familiar to the local MEETINGS and TANKEN audience. They are both associated with the multifaceted art space Flux Factory in New York, and for the fifth time a large group of Flux artists are artists-in-residence at ARoS in August and September. Will and Heather attended the opening of the 2019 MEETINGS festival; Will was one of the artists behind 'Thyborøn Trawl Dance' during the MEETINGS festival 2017; and Heather visited TANKEN in Ramme almost a year ago under the title 'Forgetting the year'.

Will and Heather have taken a day out of their ARoS schedule to come to Nissum Fjord and serve us Oracle Dumplings, a sort of fortune cookies baked with oracle answers to our questions inside.

Follow Will and Heather’s instructions and show up at Damhus Å Havn on Sunday and get the answer to your most urgent question!


Everyone is welcome for a nice afternoon in Damhus Å Havn - dress for the weather and bring some coffee - we have cups! :)

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Jul
30
to Oct 20

Dirty Time Installation on Governors Island

  • Colonels Row House 404A (map)
  • Google Calendar ICS

If you missed Dirty Karaoke and Dirt Ball at Flux Island (Governors Island) in July, don’t fret! We have left our Dirty Library installed until October 20, 2022. Explore it and add to it by dropping your own dirt off and telling us about it at 617-861-8898. The installation also includes three single-edition framed artworks, and one single-edition plaster piece that are for sale. Please inquire by email about pricing.

***

Dirty Time is Walker Tufts & Heather Kapplow Dirt is a time capsule–it holds a record of everything that’s ever happened. And it’s a time machine–it breaks you down and shoots you into the future. But it’s here right now too. It feeds you and it eats you.

Dirty Time is here to guide you on a journey. You have been taught that dirty is bad, but it’s not true. Dirty is good. It’s very, very good. Dirt is your companion, your portal to the past and the future. And here’s a dirty little secret: there is no clean that’s not dirty. Not the cloud, not the Metaverse, and definitely not the screen. Dirty Time is here to help you recognize your glorious, delicious dirtiness–your connection to all time through dirt. To help you feel your rootedness and to get you sprouting. Join us on the journey!

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Jul
30
1:00 PM13:00

Dirty Time on Governors Island

Join Dirty Time on Flux Island (Governors Island) for a day full of activities celebrating dirt and dirtyness!

We’ll start with a dirt collecting session from 1-3: Bring soil from somewhere in your life that is important to you or that has a good story behind it. We’ll accession your dirt into our traveling Dirty Library and you can tell its story on our Dirty Library Hotline. You can also listen to other people’s Dirty Stories.

At 3pm we’ll begin meandering. Join Dirty Time on a guided meditation/Dirty Walk where we’ll get up close and personal with Governors Island’s dirt, and eventually make our way to the Governors Island Dirtball Court and play a little dirtball (bring a ball–any ball–if you’ve got one) together to warm up/get our juices flowing for….

Dirty Karaoke at 5:30pm! This is when we sing our hearts out, railing against the impending doom of climate change. Bring your favorite song about dirt, death or destruction and we’ll help each other keep our spirits up.

***

Dirty Time is Walker Tufts & Heather Kapplow Dirt is a time capsule–it holds a record of everything that’s ever happened. And it’s a time machine–it breaks you down and shoots you into the future. But it’s here right now too. It feeds you and it eats you.

Dirty Time is here to guide you on a journey. You have been taught that dirty is bad, but it’s not true. Dirty is good. It’s very, very good. Dirt is your companion, your portal to the past and the future. And here’s a dirty little secret: there is no clean that’s not dirty. Not the cloud, not the Metaverse, and definitely not the screen. Dirty Time is here to help you recognize your glorious, delicious dirtiness–your connection to all time through dirt. To help you feel your rootedness and to get you sprouting. Join us on the journey!

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Jun
24
to Jul 13

"QPL" at AMP Gallery in Provincetown

QPL is a meditation on and homage to the nature and value of queer platonic love—a fierce force, and a modeling of expansive care-in-community, which doesn’t rely on the tradition of nuclear family units to ascribe arcs of love. The motion captured in each image takes a mundane tool of caregiving and elevates it into something radically mysterious and mystical, celebrating the elegance of this constantly unfurling way of expressing love.

Exhibition and opening event information here: http://www.artmarketprovincetown.com/art/20220624/

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Jun
1
to Jun 15

"Autolysis" at the Goethe-Institut Boston's Studio 170

  • Goethe-Institut Boston (map)
  • Google Calendar ICS

Detail from previous collaboration with Walker Tufts, Dirt Bath, 2021.

Together with Walker Tufts, as Dirty Time, I’ll be producing some installations and experiences through the Goethe-Institut Boston’s “Studio 170” artist residency program in June 2022 that build on collaborative project of ours at ARoS in 2021.

We take our project’s title, Autolysis (self-splitting), from the name for the first stage of decomposition when a body is buried, and from the Greek roots of that word. Autolysis is a poetic and visceral exploration of issues around climate change, plant species adaptation/extinction, and personal mortality through a focus on/engagement with soil/dirt.

Dirt/earth is the very base of our daily existence and also where we return to when we cease to exist. It nurtures us, and then we disappear into it.

In the Covid-era, when we have become profoundly oriented towards the digital, and where cleanliness has felt like a life or death imperative, Autolysis offers an immersive, tactile and olfactory experience of re-connection with the earth and to dirt.

Autolysis also opens conversations about personal relationships with the earth in a way that emphasizes the actual material of the earth rather than earth with a capital “E”, and creates space for gentle contemplation of end of life/end of species issues.

See this flyer for event dates and open studio hours! More event details here.

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May
22
12:00 PM12:00

"Contact Point" Included in Alpha60 Virtual Reality Program on Emerald Necklace

Contact Point is a site-specific, geo-located, alternate reality sound-and-sugar piece, hovering at a place that was visible from Kapplow’s bedroom window as a child, and where a violent and surreal event involving a raft of ducks was once witnessed. The event occurred during a time period when Kapplow was extremely concerned about the possibility of being a “Star Person” (an alien-human hybrid species posited by New Age authors Brad and Francie Steiger).

Contact Point’s audio features the voices of several autonomous solar-powered "sounder" devices collectively produced in a workshop led by Daniel Fishkin in Aarhus, DK in August 2021. 

Alpha60 is a program of science-fiction inspired AR work scattered along the Emerald Necklace in Boston, MA curated by Michael Lewy, in collaboration with Hoverlay and Boston Cyberarts Gallery.

Alpha60 will launch in May 2022 and run until September 30, 2022.

Opening at Boston Cyberarts Gallery May 22, 2022 12-2:30pm

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May
17
8:00 PM20:00

"Auscultation" Included in One Minute Solos

Presented by Mobius, "One Minute Solos" is coming back from hiatus on May 17th, 2022 at the Lilypad in Cambridge, MA! Starting at 8pm, artists will perform one-minute long, finished solo performance pieces in rapid cyclical succession. I'll be performing a simple, but heartfelt new piece called Auscultation for the occasion. "One Minute Solos" is curated by Jimena Bermejo. $10 suggested donation.

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May
1
to Sep 30

"Doing Nothing Together" 2022 Edition

Doing Nothing Together w/Carlos in Aarhus, DK, 2021. Photo by Catalina Alvarez.

I see doing nothing as a crucial piece of altering the health of the culture I was born into, so I launched this project in 2021 to help me do more of it. I knew that if I didn’t make it an art project, I’d never get around to doing nothing. The project closed for the winter in October of 2021 but re-opens May of 2022. I am currently scheduling a limited number appointments to do nothing together in person in Boston and Provincetown MA (USA) in August and for Boston and Aarhus (DK) in September. Doing Nothing Together remotely is also an option.

If you are unfamiliar with the process of doing nothing, here is video of an earlier iteration of this project, featuring Katrina Neumann and I doing nothing together in 2013. Though this early version of the project was documented, these days Doing Nothing Together experiences are not typically documented unless they occur within the context of an art event like a public art festival or community-engaged residency.

If you would like to make an appointment to do nothing together, please complete the form below. I will respond to your inquiry within a week.

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